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Over the next eighteen years Wheeler and Webb would live and write long and short fiction together, under the noms de plumes Patrick Quentin, Q. In August 1933 Wheeler, then a recent graduate from the University of London, had come to the United States from England at the age of twenty-one, a fledgling writer who had been taken under the wing, as it were, by Philadelphia pharmaceutical company executive and moonlighting mystery writer Richard Wilson Webb, himself a transplanted Englishman whom Wheeler had met that summer, likely in London or Berlin. For nearly four decades Hugh Wheeler, a native Englishman born in 1912, had been a resident of the United States. Something for Everyone was directed by the late legendary American theatrical producer Harold “Hal” Prince and scripted by Prince’s frequent Seventies collaborator, author and playwright Hugh Wheeler, who in the 1970s wrote the books for the acclaimed musicals A Little Night Music, Candide, Pacific Overtures and Sweeney Todd, all of which were produced by Hal Prince. Indeed, Something for Everyone, which on its original release carried the witty and naughty tag line “The Butler Did It-To Everyone,” is a brilliant black comedy of multiple murders and other assorted malfeasance, one meriting broader remembrance by film buffs as it enters its second half-century of existence. Especially pertinent to Crimereads, Something for Everyone is a crime film, in contrast with The Boys in the Band, where copious drop-dead looks and cutting remarks may wound but, luckily for the cast, do not actually slay. While The Boys in the Band, which was based on the path-breaking1968 off-Broadway play of the same title by the late Mart Crowley, has enjoyed a 2018 stage revival and a 2020 film remake (more an outright homage) Something for Everyone, on the other hand, has received far less attention over the years-though it has maintained a devoted cult following for five decades and was reissued on Blu-ray DVD by Kino Lorber in 2016.
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Sloane and the notorious Myra Breckinridge are two additional candidates which also come immediately to mind.) Both The Boys in the Band and Something for Everyone premiered within a year of the Stonewall Riots (an epochal liberating event in the long struggle for queer rights in the United States), Band in March 1970 and Everyone hard on its clicking heels in June. The glittering dawn of the Swinging Seventies, now sunk for half a century in the shadowed past, unquestionably saw the emergence of two notable films in the history of queer cinema: The Boys in the Band and Something for Everyone. Lotte von Ornstein (Jane Carr) converses with Konrad Ludwig (Michael York) in Something for Everyone “They only approve of murderers and perverts.